What is creativity?

  • Positive
  • Desirable
  • ‘A common ability enjoyed by most people'(Jones 1993)
  • ‘The making of the new and the rearranging of the old.’ (Bentley 1997)
  • ‘The achieving of tangible products such as works of art or science’ (Abra 1993)
  • ‘Creativity results from the interaction of a system composed of three elements: a culture that contains symbolic rules, a person who brings novelty into the symbolic domain and a field of experts who recognise and validate the innovation.’ (Csikszentmihalyi 1996)
  • As quoted by Anthony Storr ‘creativity has been defined as the ability to bring something new into existence.’
  • David Gauntlett described it as ‘involving the physical making of something leading to some form of communication, expression or revelation.’

 

It is also among other things:

  • Rule breaking and boundary testing but appropriate

 

The Roberts’ Report: Nurturing Creativity in Young People

  • ‘Creativity … should permeate everything children and young people do in and outside of school.’

QCA

  • Creativity involves thinking or behaving imaginatively
  • This should have an objective and be purposeful
  • Must generate something original
  • And the outcome must be of value in relation to the objective.

 

Questions [Banaji, Burn and Buckingham 2006]

  1. Is creativity internal cognitive or an external social / cultural function?
  2. Is it pervasive or reserved for particular domains of activity e.g. artistic?
  3. Is it an inevitable social good or capable of disruption or even anti-social outcomes?

They also suggested that ‘technological developments may well be linked to advances in the creativity of individual users.’

 

In the OCR Spec it specifies that creativity in media studies should:

‘Recognise and value the world and others in the study of representation of age, class, gender, sexuality and ethnicity’

 

Bournemouth University states that students on their MA in Creative and Media course should be able to ‘demonstrate the successful synergy of a theoretical position with contemporary media practice techniques in an original way.’

 

According a forum on Mark Readman’s blog a variety of respondents suggested that theoretical knowledge can actually hamper creativity. ‘Unlearning’ is the phrase they used.

TV News in Britain

History:

  • till 1950s radio news
  • 1953 the Coronation was probably the first major event covered as we know it today.
  • 1955 ITNs News at Ten – style less formal. Even today BBC do not see news as entertainment.

Conventions:

  • While news gathering and transmitting have evolved, presentation has remained very traditional.
  • Deconstruction of camera angles, movement and position and editing can all manipulate the way we understand news events.
  • Pictures complement the narrative and conform to the news value simplicity.
  • Pictures must provide viewers with clear signifiers (semiotics); narration or voice over only added when it can
  • Meaningfully add to self-explanatory images.

News readers:

  • All knowing – looks at and speaks directly to the audience (like priest in pulpit)
  • Mid close up
  • In command
  • Delegates stories to the reporters
  • The link between stories
  • Authority – must look audience in eye so uses auto cue to avoid looking at notes – looking down or away indicates untrustworthiness.
  • (Over reliance on male presenters – channel 5s Kirsty Young in late 1990s shook things up a bit, perching on the edge of a desk, walking around, bright busy newsroom, conversational rather than lecturing – new informality.

The reporters:

  • Also looks the audience in the eye – confident
  • Med shot – upper torso and head

Authority figures:

  • Always mediated thru journalist / reporter, never to news reader.
  • Looks at reporter or it can make them look shifty or desperate if they look at audience.

Interviewees:

  • Profiled in ¾ style
  • Looking slightly to side of camera or at interviewer, sometimes even out of shot
  • Why? Control, authority, trust, mediated by interviewer.

Link conventions:

  • Can be used to break up tedium of ‘talking heads’
  • Noddy shots, cutaways: when interviewer can be seen ‘reacting’ by nodding etc.
  • Pertinent images, graphics etc.

Piece to camera:

  • Where the reporter stands in front of a scene where something dramatic has / is happening and speaks directly to the camera.
  • Will always have the final say!

Criticism:

Uses of cutaways and noddy shots editing can cause conflict between broadcaster and subjects of news items.

Agendas:

The broadcasters’ agenda consist of:

  • Their own news values (see Sue Lawley and the King is Dead)
  • Conventions they use for delivery of the stories
  • Political or ideological positions of the stories.

Format

  • Music at start: rhythmic beat sense of urgency.
  • Names of programmes indicative of content, unlike e.g. Cold Feet or 2,000 Acres of Sky
  • TV more popular than papers for the news
  • Gatekeepers – those who decide –m inclusion
  • Types of programmes:
    • Bulletins
    • Updates
    • Magazine types
    • Serious news with analysis
    • News flashes
    • 24 hour

TV news different from radio

  • Visual!
  • Eyewitnesses on camera
  • Interviews on camera
  • Realtime events